Smelly Rhino Studio
  • artist blog
  • Jun10

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    In studio all week. Painting in Progress…

    For quite some time, 2 years, actually, I have been kept away from any sense of normalcy when it comes to a workday in my studio. My desire to learn more about this internet/blogging/social networking/online selling world of ours has made, well, an addict outta me. It was innocent at first. I thought, “well, I’ll just learn this stuff real quick like so I can do my own marketing!” Did I mention that was 2 years ago?

    Monday, I decided to alter this freakish course of action because the perceived outcome wasn’t lookin’ good for my art career. I have no inventory!

    So, I intervened on my own behalf, and legislated a self-imposed computer ban in my studio. I had to add (to myself) that I also have to BE in my studio (or it wont work). he he

    Today was day two and I have made a lot of progress. I even wrote in my journal 3 mornings in a row! I know, unbelievable.

    I told Eric I needed a little push toward that manifest destiny thing. I work on it constantly by saying aloud all the weaknesses I’m dealing with so that he can regurgitate them back to me at strategic moments. It’s my own way of holding myself accountable.

    I asked him for help and he gave it to me!

    He said, “Ok, well, first of all, no computer during the day. You can get online at night while you’re hanging on the couch with me! Pretend your boss is there and you can’t surf!

    The other thing: Stop making lists and plans. Just paint. You need to just paint without worrying about all that other stuff for a while.

    You are doing what they do in the corporate world…lists and schedules and planning, it’s like Dilbert, for crying out loud! Nothing gets done this way at the office either! That’s why they wrote a cartoon about it. Just allow yourself to let loose and be creative. Let yourself see some progress that makes you feel good. This is your goal, after all. You are having anxiety about it, but once you start to see progress, this will pass.”

    I was listening this time.

    Well, the reward the past 2 days has been real progress on a painting and a nice feeling of satisfaction after focusing for a change on what I really want to do.
    He is really smart.

  • Jun10

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    “Waiting for a scoobie snack”
    Graphite on Bristol smooth paper
    Sunday was Drawing Day!
    Here was my little drawing.
    I hope they got to 1 million worldwide!
    What a fun goal, and to see the drawings everywhere, on facebook, flickr, youtube, imagekind, deviantart, you name it, they were everywhere!

    Join in the fun next year! Until then, check out the results of the day here!
    drawingday.org

  • Mar24

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    #16 Ode To The New Yorker; 31 days of Rhinos
    Prismacolor on Bristol Smooth paper

    #16 in the series, yet another ripoff of one of the iconic images of the 20th century; The New Yorker’s highly hatted Mascot!

    Since 1925, when the New Yorker began publishing it’s famous magazine, cartoons have been an integral part of it’s legacy. So much so that most identify the magazine with it’s cartoons! They recently compiled a book of all All 68,647 cartoons ever published in The New Yorker! That’s a lot of cartoons!

    Cartoons, in fact, have become such an important part of our culture, that their influence on us is barely fathomable. Consider that many of our greatest cartoonists perhaps were inspired by The New Yorker growing up, and that alone makes it formidable. Great cartoonists, illustrators and satirists abound here!

    Regrettably, and it pains me to say this, but Wikipedia is down today, so I can’t give you a fun wee history on The New Yorker and it’s indelible mark on art history. Perhaps I can add some more tomorrow. For now, below are some of the greats.

    Roz Chast is one of many to influence us, and it’s great to have a female cartoonist in the mix, because it seems that not many women take the path of cartoonist. Roz first contributed to The New Yorker in 1978 and became a staff cartoonist in 1979, and has contributed over 1000 cartoons to the magazine. [from CBSnews.com: "
    Editor David Remnick wrote that her cartoons convey a comic sense of "domestic anxiety." ]

    Robert Mankoff,
    is currently the cartoon editor of The New Yorker. He captures that cross section of American business and politics with his humor, as well as every day life in the US. Robert is also the creator of The Cartoon Bank, which is the largest cartoon licensing business in the world. So, if you are a cartoonist, maybe you should start there!

    Charles Addams, adored by many as the creator of the Addams Family, spent most of his career drawing for The New Yorker! It all started as the Gothic, dark, bizaare, macabre but humorous cartoon in the New Yorker, which resulted in the beloved TV series and 2 movies! Aren’t tidbits fun?

    James Thurber, humorist, cartoonist, writer. A distinguished figure of American Literature, He wrote “The Secret Life of Walter Mitty”, and others, which put him in the history books as more than just a cartoonist!

    Saul Steinberg, among the most prolific artists of the 20th century, appeared in The New Yorker for nearly 60 years! Now that’s a career! Visit his site and be awed by the archives!

    Their cartoons were political, controversial and funny. Satire at it’s best! Maybe not that well known to the average person, but if you grew up with this magazine, you were influenced by them! And, well, maybe you do really know a few!

    The New Yorker has had a profound effect of US Popular Culture since it’s inception, and I think it is fitting to mention in my 31 days of rhinos series.

  • Mar18

    1 Comment
    So easy, a Caveman really did paint this!
    #15 Cave Painting (also mixed media)
    Media: Textured stone, acrylic


    [Fake excerpt "This amazing piece was discovered in a remote cave somewhere in Arizona. People mistakenly believed that the great Merck's rhinoceros or Rhinoceros merckii must have existed in North America at some point. A better explanation is that the ancient people built really good boats and traveled; and this cave painting was a story of their voyage to Africa or Asia or Eastern Europe. How the heck did they get there? Maybe alien visitors aren't so far fetched after all!

    It was originally believed that the markings on the bottom of the picture were fire, but it was later determined that this is grass, because rhinos are herbivores, and at the top of the picture, there is a sun and a moon to depict the cycle of the day. The two rhinos are not mirrored, (although abstract art could have existed then.) Instead, these are a mated pair of rhinos, the male on the left. They come together and touch horns as a gesture of affection. Possibly the early people of the land believed that 'Rhino Love' was an example from the gods to be honored as part of the cycle of the seasons; Love is, essentially, part of the cycle of life.

    It is also believed that this painting has much more than symbolism, like that of others found nearby. It's symmetry reflects a desire for ordered decoration, and almost resembles ancient Greek pottery examples. Could it be that these people were the lost potters of the Macedonia and this drawing is not a prehistoric example after all, but a cool illustration borrowed from the cave drawings, to be used on the water jug of a soujourner? hmmm!"]

    Seriously,
    [Wiki ” Cave paintings are paintings on cave walls and ceilings, and the term is used especially for those dating to prehistoric times. The earliest known European cave paintings date to Aurignacian, some 32,000 years ago. The purpose of the paleolithic cave paintings is not known. The evidence suggests that they were not merely decorations of living areas, since the caves in which they have been found do not have signs of ongoing habitation. Also, they are often in areas of caves that are not easily accessed. Some theories hold that they may have been a way of communicating with others, while other theories ascribe them a religious or ceremonial purpose.

    So, were cave paintings merely decoration? Was it history being recorded? Or perhaps a vigil by shamans to create a larger hunt for the people? We will never know for certain, but Please Read more because it’s really interesting!

    See you tomorrow.

  • Mar17

    3 Comments
    Ancient tradition unfolding here, under protest, on Wordless Wednesday!
    Above: #14 Origami Rhino; 31 days of rhinos
    Media: Paper

    Below: Not my rhino!

    This beautiful rhino shown here was “borrowed” from Joseph Wu Origami, and wow, he is good! Unfortunately, he doesn’t show you how to fold the damned thing! I printed out his diagram and then stared hopeless at it after creasing every line on the paper.

    The only workable tutorial I could find (for free) on YouTube was working great except the occasional floating off the screen while he was folding. Just as I was nearing completion, the artist began folding the back legs, and his hands were entirely out of the camera at that point. Alas, I couldn’t figure it out…I have an origami book somewhere up in my library, but it doesn’t have a rhino in it. You can see how the hind legs are not finished…..balls!

    [Wiki "The Japanese word "origami" itself is a compound of two smaller Japanese words: "ori", meaning fold, and "gami", meaning paper...Japanese origami began sometime after Buddhist monks from China carried paper to Japan during the 6th century." Read more! (it's fascinating!)

    My brother introduced me to this incredible short story nearly 20 years ago, and you must read it as soon as you can, because it will make you really feel; love, sorrow, joy and hope:

    The Story of 1000 Cranes
    (you must read this!)
    "The Thousand Origami Cranes has become a symbol of world peace[citation needed] through the story of Sadako Sasaki, a Japanese girl who tried to stave off her death from leukemia as a result of radiation from the atomic bombing of Hiroshima during World War II by making one thousand origami cranes, having folded only 644 before her death, and that her friends completed and buried them all with her.

    Her story is told in the book Sadako and the Thousand Paper Cranes.

    Several temples, including some in Tokyo and Hiroshima, have eternal flames for World Peace. At these temples, school groups or individuals often donate Senbazuru to add to the prayer for peace. The cranes are left exposed to the elements, slowly dissolving and becoming tattered as the wish is released. In this way they are related to the prayer flags of India and Tibet.” -Wiki excerpt.

    Wordless Wednesday didn’t exactly leave me speechless…Maybe I should have stopped at hello!
    See you tomorrow…
    (I will try harder next week not to say anything on Wednesday..I really missed the point, eh?)

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  • Mar12

    3 Comments
    You don’t like this knock-off? So Sumi-e!!!


    #11 Sumi-e (ink and wash); 31 days of rhinos
    India ink on watercolor paper

    Another mediocre example of a complete knockoff from a sumi-e painting found on Wikipedia. I added the “indigenous ghost rhino of the Valley”, naturally.

    [wiki excerpt "Ink and wash painting is an East Asian type of brush painting also known as wash painting or by its Japanese name sumi-e (墨絵). Ink and wash painting is also known by its Chinese name shui-mo hua (水墨畫, Japanese suibokuga (水墨画?), Korean sumukhwa, Vietnamese tranh thuỷ mặc'). Only black ink — the same as used in East Asian calligraphy — is used, in various concentrations."]

    Ink has the oldest history perhaps next to charcoal. as we talked about the other day, pigment mixed with water and slapped on a substrate..doesn’t get any simpler than that! Well Wiki says it dates back to the Tang dynasty in China about 600 BC! Wow, that’s old. But, charcoal still has it beat by about 30,000 years. Ink is very practical, and it even worked to mark criminals and village idiots’ foreheads. Still used today on college campuses! Pretty practical, indeed.

    Lots of fun, and quite similar to watercolor. It is best if you lay it down in washes of extremely light to dark, as you would watercolor or colored pencil, if you will. 1) Lay the ink, let dry, add another layer. 2) lay ink and pull the color with a bit of water to manipulate, blot if desired, and let dry. Continue to add layers until completion.

    If you haven’t yet experimented with watercolor yet this month, now is your chance..or play with a little ink. Simple calligraphy brushes can be dirt cheap, often in multi-packs. Practice dragging the brush around the paper with a drop of ink in there, making a rich heavy line. Then, add some water to your brush and pull some color away. Let some lines dry completely before going near them again. Although you will still get some movement, the original ink has already permeated the paper. Experiment to see the different looks you can create! If you add an India ink pen for accents on a wash, it will dry waterproof and stay put if you wash over it again, which is cool (although, it wouldn’t really be true Sumi-e at that point; more like Sumi-e-Gandi?).

    Click here for more on Japanese art

    To read all about the art of Ink and Wash, start on Wiki here and then explore! (it seems like I am endorsed by wiki, but I just like the ease of access)

    See you tomorrow!

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